11/7/2023 0 Comments Revo nails denver![]() Theory of the Object (2021) develops a “kinemetrics” of moving objects in the sciences. Theory of the Image (2019) develops a “kinesthetics” of moving images in the arts. The Figure of the Migrant (2015) and Theory of the Border (2016) develop a theory and history of what he terms “kinopolitics” based on the study of patterns of social motion. The purpose of each book is to redefine its subject area from a kinetic or process materialist perspective. Each book provides a theory, history, and contemporary case study of the kinetic method. The first series is composed of six “core” books, each written with a similar organization on five major areas of philosophy: ontology, politics, aesthetics, science, and nature. Nail's published work is divided into two primary books series. His philosophy is also unique among new materialists, excluding those within archaeology, because of its strongly historical methodology. His philosophy of movement instead offers a different kind of new materialism insofar as it focuses on the pedetic/ indeterministic motion of matter and its various kinetic patterns. However, Nail's work does not fit into any of these camps. The term “new materialism” has been applied to numerous and divergent philosophies including speculative realists, object-oriented ontologists, and neo-vitalists who all share in common some version of non-anthropocentric realism. Nail also describes his work as loosely part of the recent philosophical tradition of new materialism. He therefore describes his philosophy as a “history of the present.” ![]() In particular, he names four major historical conditions that situate his thought: mass migration, digital media, quantum physics, and climate change. Instead, he describes it as a practical and historical methodology oriented by the unprecedented scale and scope of global mobility in the early 21st century. Nail, however, also claims his philosophy of movement is not a metaphysical theory of reality in itself. “The difference between simply describing the motion of things, which almost every philosopher and even layperson has done, and the philosophy of movement is the degree to which movement plays an analytically primary role in the description.” The philosophy of movement studies patterns of motion as they flow and intersect with themselves to create folds or kinetic cycles and junction points.įrom the perspective of movement, according to Nail, all seemingly discrete bodies are the result of moving flows of matter that continually fold themselves up in various patterns or what he calls “fields of motion.” Nail's philosophy of movement provides a conceptual framework for the study of these patterns of motion through history. It is related to process philosophy but is distinct from Whitehead's discontinuous "occasions" and from Bergson's vitalism. Nail has written on the philosophy of movement, which he defines as “the analysis of diverse phenomena across social, aesthetic, scientific, and ontological domains from the primary perspective of motion.” He argues that the philosophy of motion is a unique kind of philosophical methodology. This research was the foundation of his first book, Returning to Revolution: Deleuze, Guattari, and Zapatismo, published in 2012. His dissertation was on the theme of political revolution in the work of French philosophers Gilles Deleuze and Félix Guattari and the Zapatista uprising in Chiapas, Mexico. Nail received a B.A in philosophy from the University of North Texas, and a Ph.D. ![]() Thomas Nail is a Professor of Philosophy at The University of Denver. Process materialism, Kinopolitics, kinesthetics, kinometrics, kinology, kinomenology, Kinocene,
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